Oak: Triplets
Sep. 21st, 2002 10:04 amThe hardest thing I've faced in playing the banjo and bouzouki is triplets. That's where you pick a quick down-up-down or up-down-up on one string to provide ornamentation. You usually do this in the space of a quarter note. As a keyboard and woodwind player who once took violin lessons and can play a little fingerpicking guitar, I find flatpicking the most alien finger/hand action involved with stringed plectrum instruments. Coordinating the right-hand pluck with the left-hand fingering of the note, keeping the ups and downs straight when crossing strings--I'm getting a handle on those. But the triplets are only just starting to come. And only when I play quietly--i.e., when I'm picking lightly across all the strings, which means that my pick doesn't have to dig in hard, and can flick across the string surface easily enough to produce the ornament without snagging. In a session, to be heard, at least given the acoustics in the venue where I play most regularly, you can't play that quietly. Which means that I have not yet managed a triplet when I was leading a tune set on the banjo. I've done it from the safety of the crowd, on relatively simple tunes like "Saddle the Pony," when I wasn't worried about being heard messing up or being heard at all or carrying the melody without an overambition meltdown. And I've done it at home. But never at a session when it was my set. So that's my small personal banjo ambition.
( ornaments and ice skating )
One of these days soon I'm going to land a triplet on the banjo in public.
( ornaments and ice skating )
One of these days soon I'm going to land a triplet on the banjo in public.